Wednesday, May 19, 2021

A Tribute To Will Dunniway

Several wet plate photographers met in Yosemite National Park to take photos as a tribute to Will Dunniway who recently passed.  We met at "Will's Secret Spot" to "pour a plate", share lessons learned, and honor the legacy of this amazing man.  I know Will helped me a great deal on my journey of learning wet plate photography and he helped and trained many others as well. 

Will loved getting this photo in the morning when the granite could be seen reflecting in the pond.


We had a great turnout of many photographers.





There were also  a great number of wet plate cameras and darkrooms being used. 





Will's camera was being used with a Dallmeyer 3D lens.






Conrad Young had a cool portable darkroom that fit nicely in a wagon. 


Catherine Segura used a larger darkroom in the back of a car.


This is Will's portable darkroom in the back of a car.  Notice that Will uses a four tray method. The first tray is developer that is changed every plate.  The other three trays are rinse water that is rotated. 


Tri Tran also created a really nice video of the event that you can watch on YouTube.



You can also see these photos on Facebook if you prefer. 

Sunday, May 16, 2021

Make Believe At Muzeo

 

With COVID restrictions partially lifted, I was invited to give a Magic Lantern Show for a live event at the Muzeo Museum in Anaheim Ca. The museum is about 5 minutes from Disneyland and was hosting an event called "Make Believe at Muzeo" in collaboration with the Museum Of Make Believe.   This was my first live event in front of a large audience and my first public event. 

A Magic Lantern was discreetly worked into the decor!


Artwork by Geoff Mitchell. 


 I brought my primary lantern as well as a Marcy Sciopticon as backup.  Both lanterns were powered with batteries and use an LED light. Notice also the small lantern in front of the table.  This was placed by the organizers as part of the decor to fill the screen in between performances.







The show was short with a performance of "Jack And The Beanstalk" as well as several slip slides for comedy.  It was great to finally perform in front of a live audience and get real time feedback on what worked and what did not.


We also brought our Tintype Photo Studio, Telegraph Demonstration, and Color Candle dipping.   

Shannon brought her snack bags to sell as well ( http://randomsacks.com ).


Overall, the event went well.  I got lots of laughs on the slip slides.  The event was live streamed.  The stream is on YouTube if interested.  I can say that watching one's own performance certainly highlights room for improvement!  



The following links will take you to the exact parts of the the show where we were involved.


Lighting The Marcy Sciopticon

     Designed in the late 1860s, the Marcy Sciopticon brought new innovations to Magic Lantern design. The double body, double wick kerosene illumination, and compact design set a new standard for the technology of cinema projection. 

     I had originally purchased my Marcy due to an interest in the lens.  I expected that the Darlot Petzval lens would be useful for making  tintypes using wet plate photography. However, I became enchanted with the the lantern.  The beautiful brass and wood combination and solid construction dating back to the 1860s seemed a perfect companion for the historic demonstrations I do at Fort Tejon State Historic Park in Southern California. 



   As I have had some success building my own lighting systems for lanterns, I decided to try building LED lighting for it.  I based the design on the MR16 style LED bulb.  They can be obtained in 12V models and the LED versions run up to 9 watts.   They vary between 15 and 35 degree dispersion angle so you can choose a bulb that works with your specific condenser and lantern body.  For this project I used the  SORAA 08740 75 Watt Equivalent". It has 665 lumens, 36 degree dispersion pattern and only consumes 9 watts. 


I started by measuring the inside of the lantern and sketching out a basic design.  This design was loaded into the Affinity Designer software that is used with the GlowForge. 

 When designing something new, it often takes a few iterations to get everything quite right so several prototypes were created on cardboard. The design was finally cut out using the Glow Forge Pro on 1/8 inch Birch Plywood.


Cut out and ready for assembly.


Gluing the pieces together. 


I attached battery holders for 18650 cells.  The 18650 is a very versatile cell that runs at 3.7 volts and will have a capacity between 2 and 5 amp hours depending on the model purchased.  They are readily available and not too expensive. 


The MR16 style LED bulb mounted on the front. 

Once installed in the lantern, the switch in the back is nicely disguised by the back cover. 

The lamp sits essentially where the original flame would have been when operating with kerosene. 


 After some testing, I found my design needed a few revisions. 
  • Low Voltage - As the 18650 cells are 3.7 volts each, this gives a total system voltage of 11.1 volts. Although this was enough to drive the LED and it worked OK, I decided to add a cell to raise the voltage to 14.8 volts hoping that this would give me longer battery life. 
  • Heat - I thought having the batteries in front would keep them out of the way, but even with only consuming 9 watts, the bulb does get hot.  Not all 18650 batteries do well with heat, so I started loosing batteries to heat failure.  I needed to move the batteries off of the front.
  • Balance - Having the bulb and batteries in front made the fixture a bit "Front Heavy". 

I decided to mitigate all of these by adding a battery holder and distributing the batteries around the holder differently.


 Fully installed, the lamp is imperceptible and does a nice job illuminating an image.  As it runs on battery, it can be used almost anywhere.

I measured light at the screen at 15 feet using a handheld light meter with two different bulbs. Here were the readings in LUX.

  • SORAA 9W 12V 670 Lumens 36 degree dispersion: Lux at Screen: 90
  • CREE 7.5W 12V 570 Lumens 25 degree dispersion: Lux at Screen: 80

This is enough light to do a good job projecting in a dark room. As the Marcy likes a "Point" light source, I also found that this was about 20% brighter than the COB (Chip On Board) style LED used in other lighting designs such as the CelSun.  It is certainly much brighter than the original kerosene illumination would have been.

Hope you enjoyed this overview.  Please feel free to reach out with any questions.